February 1927

. The last Oscar in VFX, as expected, went to "The Curious Case of Benjamin Button" . And is that aged face behind Brad Pitt is a true technological revolution that is a leap in the creation of digital human characters, a challenge that so far had not been achieved so successfully.

The lecture given by Ed Ulbrich TED Unveils encounters in the process step by step and not be missed. It's really interesting and highly recommended to see.

In short, Ed Ulbrich, executive producer of effects house Digital Domain , tells in this talk as this film could not be performed earlier because there was no adequate technology was capable of aging in a realistic and progressive for an actor.

It was in 2004 when he finally decided to produce the film, although the technique employed was not clear.

Was concluded that he must use a different cast of actors for the character's body and to show the evolution of it over time. On the other hand a single actor needed for the interpretation of the face, and to keep and physical features along the entire film. The selected actor turned out to be Brad Pitt. Then digitally "implant" the head in the aging bodies.

The problem was how.

First we looked at the use of the technique known as motion capture, the problem is that this technology works well for the kinetics of bodies and limbs but can not accurately capture the emotions of a human face.

So the idea was a new technique still under development. distribuidas en distintos ángulos graban entonces el fantasmagórico rostro del actor y luego esos movimientos son interpretados por un software capaz de recrearlos en 3D. It was the face of the actor record previously impregnated with a fluorescent makeup to turn off the lights see only the main features and their gestures. 4 cameras located at various angles then recorded the ghostly face of the actor and then these movements are interpreted by software to recreate in 3D.

If you want more information about this technology you can find it here: Contour Reality Capture of MOVA

The invention does not end there. In addition, three busts modeled latex character in different stages of age, 80-70-60, but the basis of the features of Brad, and was scanned in 3D (do not miss that part of the video.) Thus three models were obtained at high resolution with the smallest details of wrinkles and folds.

On this model able to apply the interpretation of Brad Pitt, captured in this unique way. That's what they lick "retargeting".

para la “decapitación” de los cuerpos , tracking para la colocación del nuevo rostro… Solved the main problem that remained was the implementation of other mature technologies that, while Ed does not go into detail, we can sense to see the making off: HDRI illumination of the face in 3D to simulate the different environments, rotoscoping and chroma for "decapitation" of bodies, tracking for placement of the new face ...

In short, the result is an impressive digital recreation of a human face with all its details, small tics, subtle movements, expressions ... able to convey emotion and feeling without digital puppet so far caused humans in 3D.

Although it is true that there's something in the brightness of the eyes that betrays their digital nature, the subtle sparkle that so far has not been able to be reproduced in any medium.

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February 1918

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February 1910

From Prolost comes the sad news to the world of VFX and that is that Stu Maschwitz himself announced on February 4 in his blog the end of The Orphanage , the effects and post production studio he created with his two partners 10 years ago in San Francisco.
The Orphanage is credited with the production of effects for films such as Ironman (the famous scene of transformation, the spectacular displays of the helmet ...), the recent The Spirit, Sin City, Pirates of the Caribbean, Fantastic 4, Die Hard 4 ... and many productions.
It seems that the crisis also makes a dent in this sector.
Maschwitz says in The Variety you do not know if it sold or liquidated the study, but what is certain is that the proceeds will go to creditors and employees who have not yet charged.


Apparently studies VFX medium as traced Orphanage fail due to pressure exerted by the large studio with a lot more resources and research capacities and on the other side can not compete with the low prices of smaller studies.

Whatever the reason, the closure of the Orphanage continues to be a great loss for the industry, but we hope that a talent like Stu did not leave us orphans and continue to guide us to your blog, publishing books such as DV Rebels Guide and developing plugins like Magic Bullets.